Gods, Heroes & Monsters
The pantheons and legends still hiding in everyday language.
In Greek mythology, who is the king of the gods?
The versions most people know are late, edited and considerably gentler than the originals.
Fairy tales are usually assumed to be old and fixed, and they are old and highly unfixed. The Grimm brothers were collectors and editors rather than authors, and they revised their own collection substantially across editions — softening violence, adding Christian references, and moving cruelty from mothers to stepmothers. These questions cover where the familiar stories came from, how folklorists actually track versions across cultures, and which famous elements were late additions rather than ancient features.
Every question in this quiz is listed below with its correct answer and the reasoning behind it. Play first if you would rather not see the answers — or read through as a study sheet.
Play it insteadAnswer: B. Collectors and editors of existing oral tales
Why: They were scholars of language gathering material from informants, and revised their collection heavily across seven editions.
Answer: A. He wrote original stories rather than collecting them
Why: The Little Mermaid and The Ugly Duckling are his own compositions, which is why they have a single fixed version.
Answer: D. A tale type index
Why: The Aarne-Thompson-Uther index assigns numbers to types, so versions can be compared as variants of a defined structure.
Answer: C. Hundreds of versions exist across many cultures
Why: A ninth-century Chinese version predates the European ones by centuries. The glass slipper is a late and probably French detail.
Answer: B. They are considerably more violent
Why: The Grimms softened successive editions for a family readership, and several original endings are grim by modern standards.
Answer: A. A recurring folkloric motif catalogued across cultures
Why: Motif indexes catalogue such components separately from tale types, so a story can be described as a particular arrangement of them.
Answer: D. A formulaic opening signalling the kind of story to expect
Why: Most traditions have such markers, at the start and often at the end, telling the audience how the tale should be taken.
Answer: C. Antoine Galland's French translation
Why: Aladdin and Ali Baba do not appear in the older Arabic manuscripts and entered through Galland, who said he heard them from a Syrian storyteller.
Answer: B. In the late seventeenth century, well before the Grimms
Why: His 1697 collection gave us influential versions of Sleeping Beauty, Puss in Boots and Little Red Riding Hood — the last with a much darker ending.
Answer: A. A mixture of shared ancestry, contact and independent invention
Why: Which explanation applies has to be tested case by case, and the answer differs from story to story.
Floods, tricksters and dying gods turn up across unconnected cultures. Three explanations, and how to tell which applies.
6 min readEach correct answer awards 10 XP. There is zero point penalty for incorrect guesses, encouraging learning through exploration.
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The pantheons and legends still hiding in everyday language.
In Greek mythology, who is the king of the gods?
Ten long poems from Mesopotamia to Mali, and the places and languages that produced them.
The Epic of Gilgamesh was written down in which region?
Coyote, Reynard, the Monkey King and the other figures who win by cunning rather than strength.
Which Norse figure is a trickster, sometimes helping the gods and sometimes working against…