Buildings & The Ideas Behind Them
Landmark buildings and the styles you can spot from the street.
In which city does the Eiffel Tower stand?
Architecture has a precise vocabulary that most of us half-know. These ten questions pin the words down.
Architects talk to builders through drawings, and drawings need agreed conventions. A plan is a horizontal cut seen from above; a section is a vertical one; an elevation is a flat face drawn without perspective so that a measurement taken off it is true. None of these look like a photograph of the finished building, and that is the point — they are instructions, not pictures. The same is true of the words for the parts themselves. A cantilever, a curtain wall and a load-bearing wall behave in completely different ways, and confusing them is the difference between a building standing and not. This quiz covers the drawing conventions, the classical elements that keep reappearing, and a few terms that have drifted in meaning since they were coined.
Every question in this quiz is listed below with its correct answer and the reasoning behind it. Play first if you would rather not see the answers — or read through as a study sheet.
Play it insteadAnswer: D. A flat view of one face of a building
Why: A plan is the view from above and a section is the vertical cut. Elevations are drawn without perspective so that measurements taken off them stay true.
Answer: C. Corinthian
Why: Doric capitals are plain and Ionic ones use paired scrolls. The Romans favoured the most elaborate order for public buildings meant to impress.
Answer: B. Projects out from its support with nothing beneath the far end
Why: Balconies and diving boards work the same way. The projecting part is held by the fixing at the anchored end, so the loads there are far higher than the visible span suggests.
Answer: A. Encloses the building without carrying the floors above
Why: The steel or concrete frame takes the load, which is why glass can run uninterrupted from floor to floor. The idea arrived with tall framed buildings in the late nineteenth century.
Answer: D. A covered entrance porch with columns
Why: The triangular gable often set above one is a pediment. The form comes from Greek temple fronts and was revived on banks, museums and courthouses across Europe and America.
Answer: C. One built in local traditions using local materials
Why: Barns, cottages and courtyard houses all qualify. Such buildings usually suit their climate closely, because the form was refined over generations by trial and error.
Answer: B. A tall open space rising through several floors
Why: Roman houses used the word for a central court open to the sky. Modern versions are usually glazed over, and exist mainly to bring daylight deep into a large floor plate.
Answer: A. A horizontal cut through a building seen from above
Why: The cut is conventionally taken about a metre above floor level, so doors and windows appear in it. Walls are shown filled in, which is why plans read as solid and void.
Answer: D. A partial floor set between two main storeys
Why: It usually overlooks the space below rather than enclosing it. The word comes from the Italian for middle.
Answer: C. Steel bars set inside it before pouring
Why: Concrete is strong in compression and weak in tension, and the steel supplies the tension. Patented in the mid-nineteenth century, the technique had taken over construction within fifty years.
A Germanic language wearing a French coat and carrying a Latin dictionary. Why English spelling is a mess with reasons.
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