Stage & Step
Performance traditions and the terms used backstage.
Shakespeare's company performed at which London theatre?
Every theatre runs on a shared set of terms, most of them older than anyone using them.
Theatre vocabulary is a fossil record. Upstage and downstage make no sense until you know that stages were once raked, built to slope up towards the back so that audiences on a flat floor could see. The apron is named for what it looks like. The house is the audience because the auditorium was, in the earliest permanent playhouses, the building itself. The words also mark out who does what. A director's job ends on opening night, at which point the show belongs to the stage manager, who calls every cue for the rest of the run. That handover surprises people outside the business more than anything else about how theatre works, and it is the reason a production can stay recognisably the same for years.
Every question in this quiz is listed below with its correct answer and the reasoning behind it. Play first if you would rather not see the answers — or read through as a study sheet.
Play it insteadAnswer: D. The part furthest from the audience
Why: The terms survive from raked stages built to slope upward at the back. An actor who moves there forces others to turn away from the audience, which is where the verb "to upstage" comes from.
Answer: C. Where the performers move and stand
Why: It is fixed early because lighting, sightlines and scene changes all have to be planned around it. Actors record the decisions in their scripts as a shorthand of arrows.
Answer: B. The offstage spaces at the sides of the stage
Why: They hold waiting performers, scenery and crew. Their depth often decides how large a set can be, since anything moved on has to live somewhere first.
Answer: A. Research and advise on a play's text and context
Why: The role began in eighteenth-century German theatre, where Lessing held the post at Hamburg. It is far more common in continental Europe than in Britain or America.
Answer: D. The area projecting in front of the curtain line
Why: Elizabethan playhouses were almost entirely apron, with the audience on three sides. That geometry is why so much of the writing addresses the audience directly.
Answer: C. To dismantle and remove it
Why: It usually happens immediately after the final performance, often the same night. Venues are booked back to back, so the next production may load in the following morning.
Answer: B. Take up their opening positions
Why: It is normally given five minutes before curtain up. The half-hour and quarter-hour calls precede it, counting down to the same moment.
Answer: A. The auditorium and the audience in it
Why: House lights are the ones over the audience rather than the stage. A full house is a sold-out one, and going "front of house" means crossing into that side of the building.
Answer: D. The stage manager
Why: The director's work is finished on opening night. The stage manager calls every lighting, sound and scenery cue for the rest of the run.
Answer: C. Extends into the audience, who sit on three sides
Why: It shortens the distance to the furthest seat, which suits intimate work. It also forces performers to keep turning so that no side is ignored for long.
The Language of Backstage has 10 questions and takes about 6 minutes to finish. It is rated Medium and sits in our Theatre & Dance category.
Each of the 10 correct answers adds 10 XP, up to 100 XP for a clean run. Wrong answers cost you nothing, and your full question-by-question review is shown at the end.
Yes. All 10 questions carry a written explanation of why the correct answer is right, so the quiz works as a study sheet as well as a test.
Yes, as often as you like. The questions and the answer options are reshuffled on each run, and you can use Practice Mistakes afterwards to retry only the ones you missed. No account is needed to play.
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